Reviews

The relation between volcanoes and love has a long history in Japan, as hundreds of lovers and spurned lovers have leapt to their deaths in the fiery depths of Mount Mihara for centuries, but most famously during the Twenties and Thirties. Later in the century, in 1991, another pair of lovers—volcanologists Katia and Maurice Krafft—perished at the foot of Japan’s Mount Unzen. Having rushed there to observe an imminent eruption to film and photograph it in action, they, along with forty-one journalists and firefighters, were swallowed by Unzen’s powerful excretion of moving earth. Sara Dosa’s remarkable documentary, created largely from the Kraffts’ visual archive, includes a shot of their final volcano erupting, as captured by a camera abandoned by a fleeing journalist. Although Japanese TV has only recently discovered the beauty and attraction of volcano imagery, the Kraffts had known and pursued these aspects throughout their working lives.

Film critic Robin Wood once described The Lady Eve as a “perfect film.” Peter Bogdanovich in his introduction to the new Criterion Blu-ray says that “you can’t get a better movie,” and indeed it is a standout comedy in Preston Sturges’s short career, in Barbara Stanwyck’s long career, and among early Forties studio releases. The writing is sharp, smart, and loaded with double entendres that provocatively challenge the mores of the Production Code. Sturges’s script, very loosely based on a story by Monckton Hoffe, takes an elliptical, allegorical detour through the Garden of Eden, aka the Amazon, where there are women, but none of them “white.”

She Found it at the Movies: Women Writers on Sex, Desire and Cinema