The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star

From The Lady Eve, to The Big Valley, Barbara Stanwyck played parts that showcased her multidimensional talents but also illustrated the limits imposed on women in film and television. Catherine Russell’s A to Z consideration of the iconic actress analyzes twenty-six facets of Stanwyck and the America of her times. Russell examines Stanwyck’s work onscreen against the backdrop of costuming and other aspects of filmmaking. But she also views the actress’s off-screen performance within the Hollywood networks that made her an industry favorite and longtime cornerstone of the entertainment community. Russell’s montage approach coalesces into an engrossing portrait of a singular artist whose intelligence and savvy placed her center-stage in the production of her films and in the debates around women, femininity, and motherhood that roiled mid-century America.

Fire of Love

The relation between volcanoes and love has a long history in Japan, as hundreds of lovers and spurned lovers have leapt to their deaths in the fiery depths of Mount Mihara for centuries, but most famously during the Twenties and Thirties. Later in the century, in 1991, another pair of lovers—volcanologists Katia and Maurice Krafft—perished at the foot of Japan’s Mount Unzen. Having rushed there to observe an imminent eruption to film and photograph it in action, they, along with forty-one journalists and firefighters, were swallowed by Unzen’s powerful excretion of moving earth. Sara Dosa’s remarkable documentary, created largely from the Kraffts’ visual archive, includes a shot of their final volcano erupting, as captured by a camera abandoned by a fleeing journalist. Although Japanese TV has only recently discovered the beauty and attraction of volcano imagery, the Kraffts had known and pursued these aspects throughout their working lives.