Review of Story of Floating Weeds and Floating Weeds DVD Cineaste Vol. XXX No. 1 (Winter 2004): 56-58.
Review of Tokyo Story DVD Cineaste Vol. XXIX no. 3 (Summer 2004): 50-51.
Review of Metropolis DVD Cineaste Vol. XXIX no. 1 (Winter 2003): 70-71.
Review of Picturing Culture: Explorations of Film and Anthropology by Jay Ruby. American Ethnologist 28:3 (2001): 735-737.
Review of Kurosawa: Film Studies and Japanese Cinema by Mitsuhiro Yoshimoto. Cineaste Vol. XXVI No.2 (Spring 2001): 53-54.
Review of The Birds by Camille Paglia and The Wizard of Oz by Salmon Rushdie, as part of review of BFI Classics and Modern Classics Film Series, co-written with Bart Testa and Carole Zucker. Canadian Journal of Film Studies Vol. 7 no. 2 (Fall 1998): 78-87 (refereed journal).
Review of Terminal Identity: The Virtual Subject in Postmodern Science Fiction by Scott Bukatman, Canadian Journal of Film Studies 5:1 (Spring 1996) 79-82 (refereed journal).
Review of Cinema, Censorship and the State: the Writings of Nagisa Oshima, 1956-1978 (MIT Press 1992), Cineaste XX:1: 57-58.
Review of The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory, by D.N. Rodowick, Recherches Sémiotique / Semiotic Inquiry Vol 11 no.2-3 (1991) 253-257 (refereed journal).
Review of Psychoanalysis and Cinema. E. Ann Kaplan Ed. Queen’s Quarterly 97:4 (Winter 1990): 660-662 (refereed journal).
“Past Pleasures: New Histories of German and American Cinemas,” Review of: The American Film Musical by Rick Altman, American Film Melodrama by Robert Lang, Joyless Streets: Women and Melodramatic Representation in Weimar Germany by Patrice Petro, and New German Film: A History by Thomas Elsaesser, Queen’s Quarterly (Spring 1990) 88-101 (refereed journal).
“Will the Reel Avant-Garde Please Stand Up?” Review of the International Experimental Film Congress, Toronto, May-June 1989, Fuse XIII:1-2 (Fall 1989) 37-43.
“On Experimental Film,” Cinema Canada April 1989.
Review of Chris Gallagher’s Undivided Attention in Recent Work from the Canadian Avant-Garde, Catherine Jonasson and Jim Shedden eds., (Toronto: Art Gallery of Ontario, 1988) 23-24.
Review of Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema, by David Desser, in Cineaste 16:4 (1988).
“Yvonne Rainer Eats Her Cake,” Cinema Studies, Department Newsletter, New York University 2:3 (Fall 1986).