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The File on Theresa Harris, Black Star of the Archive
Feminist Media Histories Vol. 8, Number 3, pps. 86–114 Click for full text
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Sensing the Archive: Exploring The Digital (Im)materiality of the Moving Image Archive
Issue 19, Spring 2022, Guest-Edited by Catherine Russell Introduction to the Issue
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Review of All About Eve DVD
Cineaste, Vol. XLVI No. 1 (Winter 2020)
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Review of Johnny Guitar Blu-ray
Cineaste Vol. XLII No. 2 (Winter 2017) (pdf)
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Review of The Lady Eve DVD
Cineaste, Vol. XLVI No. 1 (Winter 2020)
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“Personne: The Disappearance of the White Man”
Found Footage Magazine Issue #7 March 2021
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Review of Luchino Visconti and the Fabric of Cinema
Review of Luchino Visconti and the Fabric of Cinema by Joe McElhaney, Cineaste XLVI No. 4 (Fall 2021).
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Barbara Stanwyck Rides Again
A video essay by Catherine Russell Journal of Videographic Film & Moving Image Studies, 8.3, 2021
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“Amazon Cinema: Vegetal Storytelling”
Cinema of Exploration Essays on an Adventurous Film Practice Edited By James Leo Cahill and Luca Caminati click for full
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Review of She Found it at the Movies: Women Writers on Sex, Desire and Cinema
She Found it at the Movies: Women Writers on Sex, Desire and Cinema
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New Books Network podcast about Archiveology
[Listen to the podcast] In her book Archiveology: Walter Benjamin and Archival Film Practices (Duke University Press, 2018), Catherine Russell
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Pre-Code Stanwyck
I recorded an interview for Criterion Channel in which I discuss Stanwyck’s precode films. Available soon.
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Cultural Anthropology Book Forum
“Whose Violence Is It?” My response to Richard Baxstrom and Todd Meyers’s Violence’s Fabled Experiment (2018) is included in this book forum
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Archiveology: Walter Benjamin and Archival Film Practices
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology—the reuse, recycling, appropriation,
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Multimedia
Will Straw and Catherine Russell discuss “My Winnipeg” “Kitsch Historiography: Barbara Stanwyck in the Jungle.” In Media Res (7 Aug. 2013). Isabel
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Reviews
Review of Johnny Guitar Olive Films Blueray release, Cineaste Vol. XLII No. 2 (Winter 2017) Review of A Life of Barbara Stanwyck
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David Rimmer: Films & Tapes 1967-1993
Toronto: Art Gallery of Ontario, 1993. This is a catalogue that was produced by the Art Gallery of Ontario in
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The Cinema of Naruse Mikio: Women and Japanese Modernity
Durham NC: Duke University Press, 2008. One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69)
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New Women of the Silent Screen: China, Japan, Hollywood
Special Issue Editor. Camera Obscura 60. Fall 2005. Mitsuyo Wada-Marciano, Carleton University, Imaging Modern Girls in Japanese Silent Cinema Chika
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Experimental Ethnography: The Work of Film in the Age of Video
Durham NC: Duke University Press, 1999. Experimental film and ethnographic film have long been considered separate, autonomous practices on the
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Narrative Mortality: Death, Closure and New Wave Cinemas
Minneapolis: University of Minnesota Press, 1995. What seems like closure might be something more, as Catherine Russell illustrates in this
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Classical Japanese Cinema
The book approaches Japanese cinema as an industry closely modelled on Hollywood. The classical period refers to the years in
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Peer-reviewed publications
Table of Contents Edited Books and JournalsJournal ArticlesBook ChaptersArticles in TranslationReprintsSelected Reviews of My Work Edited Books and Journals “Cinema